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La mer was the second of Debussy's three orchestral works in three sections, the other being Nocturnes (1892–1899) and Images pour orchestre (1905–1912). The first, the Nocturnes, premiered in Paris in 1901 and though it had not made any great impact on the public, it was well-reviewed by musicians including Paul Dukas, Alfred Bruneau and Pierre de Bréville.
Images pour orchestre, L. 122, is an orchestral composition in three sections by Claude Debussy, written between 1905 and 1912. Debussy had originally intended this set of Images as a two-piano sequel to the first set of Images for solo piano, as described in a letter to his publisher Durand as of September 1905. However, by March 1906, in ...
Claude Debussy c. 1910. This is a complete list of compositions by Claude Debussy initially categorized by genre, and sorted within each genre by "L²" number, according to the 2001 revised catalogue by musicologist François Lesure, [1] which is generally in chronological order of composition date.
Debussy: Prélude à l'après-midi d'un faune (Janet Ferguson, flute) Debussy: La Mer; Debussy: Images pour orchestre; Debussy: Trois nocturnes (Women of the Los Angeles Master Chorale) Debussy: Le martyre de St. Sébastien (Fragments symphoniques)
"La Mer" ("The Sea") is a song by the French composer, lyricist, singer and showman Charles Trenet. The song was first recorded by the French singer Roland Gerbeau in ...
Debussy – Prelude to "The Afternoon of a Faun". An Authoritative Score – Mallarmé's Poem – Background and Sources – Criticism and Analysis. Norton Critical Scores. New York, London: W. W. Norton. ISBN 9780393021455 – via Internet Archive. Hendrik Lücke: "Mallarmé – Debussy.
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By 1911 he was already conducting opera at La Scala opera house in Milan. [1] That year he heard Debussy conduct his own compositions Ibéria and Prélude à l'après-midi d'un faune in Turin: an experience that "had a decisive influence on his career". [2] He then worked in Brussels, Belgium before spending the duration of World War I in ...