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This is a list of paintings and drawings by the 17th-century Spanish artist Diego Velázquez. Velázquez is estimated to have produced between only 110 and 120 known canvases. [1] Among these paintings, however, are many widely known and influential works. All paintings are in oil on canvas unless noted.
In the 20th century, artists such as Pablo Picasso, Salvador Dalí, and Francis Bacon paid tribute to Velázquez by re-interpreting some of his most iconic images. Most of his work entered the Spanish royal collection , and by far the best collection is in the Museo del Prado in Madrid, although some portraits were sent abroad as diplomatic ...
On the other hand, his royal portraits, designed to be seen across vast palace rooms, feature more strongly than his other works the bravura handling for which he is famous: "Velázquez's handling of paint is exceptionally free, and as one approaches Las Meninas there is a point at which the figures suddenly dissolve into smears and blobs of ...
Baroque paintings by Diego Velázquez (1599−1660) — a renowned Spanish Baroque painter. Subcategories This category has the following 3 subcategories, out of 3 total.
Portrait of Pope Innocent X is an oil on canvas portrait by the Spanish painter Diego Velázquez, created during a trip to Italy around 1650. Many artists and art critics consider it the finest portrait ever created. [1] It is housed in the Galleria Doria Pamphilj in Rome.
Infanta Margarita Teresa in a Blue Dress is one of the best-known portraits by Spanish painter Diego Velázquez. Executed in oil on canvas, it measures 127 cm high by 107 cm wide and was one of Velázquez's last paintings, produced in 1659, a year before his death. It shows Margaret Theresa of Spain who also appears in the artist's Las Meninas.
The Triumph of Bacchus (Greek: Ο Θρίαμβος του Βάκχου) is a painting by Diego Velázquez, now in the Museo del Prado, in Madrid.It is popularly known as Los borrachos or The Drinkers (also The Drunks).
Famous for capturing great detail in his realistic style paintings, Velázquez demonstrates these qualities in his portrait of Sebastián de Morra. [18] By painting Morra from a straight-on view, Velázquez managed to highlight Morra's obvious resentment of his physical nature and the disability itself. [ 19 ]