Search results
Results from the WOW.Com Content Network
Lunch. Drunk. Love is the ninth studio album by the American rock band Bowling for Soup, released on September 10, 2013, through Brando Records and Que-so.The album was completely fan-funded, [4] as well as being released on the band's own record label like their previous album.
Bowling for Soup: 1996 "Cody" Cell Mates: 2000 "The Bitch Song" Let's Do It for Johnny! 2002 "Girl All the Bad Guys Want" Smith n' Borin Drunk Enough to Dance "Emily" 2003 "Punk Rock 101" Smith n' Borin 2004 "1985" A Hangover You Don't Deserve "Gilligan's Island Theme" Bowling for Soup Goes to the Movies "Almost" A Hangover You Don't Deserve: 2005
Playlist: The Very Best of Bowling for Soup is a greatest hits album of material by American rock band Bowling for Soup, released on January 25, 2011 as part of the Playlist music album series by Legacy Recordings. [1] The album was released by Bowling for Soup's former label without the band's consent. [citation needed]
Soup is an album released in November 2007 by The Housemartins and The Beautiful South on Mercury Records.It is in effect a greatest hits album for both of the bands, the first seven tracks bracketed together as "The Housemartins Condensed" and the remaining fifteen as "The Cream of The Beautiful South".
Bowling for Soup's first volume of Songs People Actually Liked, which featured rerecorded songs from the bands first ten years, was largely recorded and released in 2014 [2] for PledgeMusic pledgers, before being released to the public on January 27, 2015. In February 2020, Reddick unveiled the cover art for the second volume on Instagram.
Hamburger Helper released "Watch the Stove," a mixtape with 5 songs, on SoundCloud in honor of April Fools' Day.
The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.
Bowling for Soup, is the debut studio album by American rock band Bowling for Soup. [1] The album was recorded at C & L Studios in Summer 1994, and was released the following September on the band's own self-formed record label Que-so Records. [1] [3] This release was limited to 3,000 copies. [1]