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The Hunchback of Notre-Dame (French: Notre-Dame de Paris, lit. ' Our Lady of Paris ', originally titled Notre-Dame de Paris. 1482 ) is a French Gothic novel by Victor Hugo , published in 1831 .
Quasimodo (from Quasimodo Sunday [1]) is one of the main characters of the French novel The Hunchback of Notre-Dame (1831) by Victor Hugo. Born with numerous deformities, most notably a hunched back, Quasimodo serves as the bell-ringer for Notre Dame cathedral in fifteenth century Paris. Although his appearance causes others to treat him ...
Claude Frollo (French: [klod fʁɔlo]) is a fictional Christian clergyman and the primary antagonist of Victor Hugo's 1831 novel The Hunchback of Notre-Dame (original French title: Notre-Dame de Paris). He is also an alchemist, Renaissance humanist, and intellectual.
Esmeralda (French: [ɛs.me.ʁɑl.da]), born Agnès, is a fictional character in Victor Hugo's 1831 novel The Hunchback of Notre-Dame (French: Notre-Dame de Paris).She is a French Roma girl (near the end of the book, it is revealed that her biological mother was a French woman).
The Hunchback of Notre Dame is a 1939 American romantic drama film starring Charles Laughton and Maureen O'Hara. [ 3 ] [ 1 ] Directed by William Dieterle and produced by Pandro S. Berman , the film is based on Victor Hugo 's 1831 novel .
The Hunchback of Notre Dame is a 1923 American drama film [2] starring Lon Chaney, directed by Wallace Worsley, and produced by Carl Laemmle and Irving Thalberg. The supporting cast includes Patsy Ruth Miller, Norman Kerry, Nigel de Brulier, and Brandon Hurst.
Victor Hugo helped make the cathedral a symbol of Paris and France when he used it as a setting for his 1831 novel "The Hunchback of Notre-Dame". Quasimodo, the main character, has been portrayed ...
The idea to adapt The Hunchback of Notre Dame came from development executive David Stainton in 1993, who was inspired to turn Victor Hugo's novel The Hunchback of Notre-Dame into an animated feature film after reading the Classics Illustrated comic book adaptation. [6] Stainton then proposed the idea to then-studio chairman Jeffrey Katzenberg.
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