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Philippine folk literature refers to the traditional oral literature of the Filipino people.Thus, the scope of the field covers the ancient folk literature of the Philippines' various ethnic groups, as well as various pieces of folklore that have evolved since the Philippines became a single ethno-political unit.
The styles and themes used in Philippine literature were born from a combination of the country’s history, mythology, culture, and foreign influences, evolving throughout different periods while also adopting common writing philosophies and movements of the time.
Oral literature (also known as folk literature) consists of stories are passed down the generations by speech or song. All Philippine mythologies originated as oral literature. Stories naturally change and proliferate. Despite many recording projects, the majority have yet to be properly documented.
Depiction of Lam-Ang, the protagonist of Biag ni Lam-Ang, an Ilocano epic.. Philippine epic poetry is the body of epic poetry in Philippine literature.Filipino epic poetry is considered to be the highest point of development for Philippine folk literature, encompassing narratives that recount the adventures of tribal heroes.
Public speaking, also called oratory, is the practice of delivering speeches to a live audience. [3] Throughout history, public speaking has held significant cultural, religious, and political importance, emphasizing the necessity of effective rhetorical skills. It allows individuals to connect with a group of people to discuss any topic.
Cash incentives were given to writers in 1921 when the Free Press started to pay for published contributions and awarded ₱1,000 for the best stories. The organization in 1925 of the Philippine Writers Association and in 1927 of the University of the Philippines National Writers Workshop, which put out the Literary Apprentice, also helped ...
Ernst Robert Curtius studied topoi as "commonplaces", themes common to orators and writers who re-worked them according to occasion, e.g., in classical antiquity the observation that "all must die" was a topos in consolatory oratory, for in facing death the knowledge that death comes even to great men brings comfort. [2]
The consolatio literary tradition ("consolation" in English) is a broad literary genre encompassing various forms of consolatory speeches, essays, poems, and personal letters. consolatio works are united by their treatment of bereavement, by unique rhetorical structure and topoi, and by their use of universal themes to offer solace. [ 3 ]