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"It's a Free World, Baby" Coneheads soundtrack: Bill Berry, Peter Buck, Mike Mills, Michael Stipe: Scott Litt and R.E.M. 1993 "It's the End of the World As We Know It (And I Feel Fine)" Document: Bill Berry, Peter Buck, Mike Mills, Michael Stipe: Scott Litt and R.E.M. 1987 "I've Been High" Reveal: Peter Buck, Mike Mills, Michael Stipe: Pat ...
"Mad World" is a 1982 song by British band Tears for Fears. Written by Roland Orzabal and sung by bassist Curt Smith , it was the band's third single release and first chart hit, reaching number three on the UK Singles Chart in November 1982.
"Half a World Away" (live) [140] 1994 The Unplugged Collection, Volume One "Wall of Death" [141] Beat the Retreat: Songs by Richard Thompson "Love Is All Around" 1996 I Shot Andy Warhol Soundtrack "Sponge" [142] Sweet Relief II: Gravity of the Situation "Star Me Kitten" Songs in the Key of X:Music from and Inspired by The X-Files "Revolution ...
R.E.M. did not tour to promote Out of Time; instead, the band played a series of one-off shows, including an appearance taped for an episode of MTV Unplugged [12]: 213 and released music videos for each song on the video album This Film Is On.
Gary Jules Aguirre Jr. (born March 19, 1969) is an American singer-songwriter, known primarily for his cover version of the Tears for Fears song "Mad World", which he recorded with his friend Michael Andrews for the film Donnie Darko.
We just wanted to do it; whenever we had a new batch of songs, it was time to record". [6] Because of the many new songs the band had, Buck unsuccessfully tried convincing everyone to make the next album a double album. [7] In November 1983, the band recorded 22 songs during a session with Neil Young producer Elliot Mazer in San Francisco. [8]
Eponymous is the first greatest hits album by the American alternative rock band R.E.M., released in 1988.It was their last authorized release on I.R.S. Records, [6] to whom they had been contracted since 1982, having just signed with Warner Bros. Records.
[20] Stipe says this song is the "odd one out" on the album, being the only "winter song" on an otherwise summer-themed record. [11] His intention was to "write a lyric that matched the tone of the music", while also creating a song which "balance[d] all [the] sunniness" of the rest of Reveal . [ 11 ] "