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By the 1940s, he was an entertainment superstar who mastered all of the major media formats of the day, movies, radio, and recorded music. Other popular singers of the day included Cab Calloway and Eddie Cantor. Glenn Miller big-band trombonist, arranger, composer, and bandleader in the swing era.
Billboard Hot 100 & Best Sellers in Stores number-one singles by decade Before August 1958 1940–1949 1950–1958 After August 1958 1958–1969 1970–1979 1980–1989 1990–1999 2000–2009 2010–2019 2020–2029 US Singles Chart Billboard magazine Billboard number-one singles chart (which preceded the Billboard Hot 100 chart), which was updated weekly by the Billboard magazine, was the ...
By 1940, 80% of American households would own a radio; [1] making American music far more accessible to civilians and soldiers alike. Although the radio could be used to boost American morale, the American Government censored radio channels in fear that enemy agents may be sending coded messages through song requests on the stations.
US BB 1940 #12, US #2 for 6 weeks, 17 total weeks 13: Glenn Miller and His Orchestra (Vocal Ray Eberle) "Blueberry Hill" [15] Bluebird 10768: June 13, 1940 () July 1940 () US BB 1940 #13, US #2 for 4 weeks, 19 total weeks 14: Will Bradley and His Orchestra: Beat Me Daddy, Eight to the Bar: Columbia 35530: May 21, 1940 ()
1940s music television series (1 C) Pages in category "1940s in music" The following 7 pages are in this category, out of 7 total. This list may not reflect recent ...
"Frenesi", an instrumental recorded by clarinetist Artie Shaw, occupied the number one position on the chart during the final two weeks of 1940. In 1940, The Billboard began compiling and publishing the National Best Selling Retail Records chart. Debuting in the issue dated July 27, it marked the beginning of the magazine's nationwide tracking ...
Music portal; Songs written or first produced in the decade 1940s, i.e the years 1940 to 1949. 1890s; 1900s; 1910s; 1920s; 1930s; 1940s; 1950s ... Pages in category ...
Luderin Darbone's The Hackleberry Ramblers and Harry Choates were the vanguard of this new wave of Cajun music, which incorporated English lyrics and a smooth style. By the 1940s, though a revival of traditional Cajun music had begun, led by Iry LeJeune, whose 1948 "La valse du pont d'amour" is considered a watershed in the field.