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Decades before the video revolution of the late 1970s/early 1980s, there was a small but devoted market for home films in the 16 mm, 9,5 mm, 8 mm, and Super 8 mm film market. Because most individuals in the United States owning projectors did not have one equipped with sound, vintage silent films were particularly well-suited for the market.
Many films of the silent era have been lost. [1] The Library of Congress estimates 75% of all silent films are lost forever. About 10,919 American silent films were produced, but only 2,749 of them still exist in some complete form, either as an original American 35mm version, a foreign release, or as a lower-quality copy.
"Super 8" 8 mm films. 8 mm film is a motion picture film format in which the film strip is eight millimetres (0.31 in) wide. It exists in two main versions – the original standard 8 mm film, also known as regular 8 mm, and Super 8. Although both standard 8 mm and Super 8 are 8 mm wide, Super 8 has a larger image area because of its smaller ...
List of lost films; List of lost silent films (1910–1914) List of lost silent films (1915–1919) List of lost silent films (1920–1924) List of lost silent films (1925–1929) List of incomplete or partially lost films; List of lost or unfinished animated films; List of rediscovered films; List of rediscovered film footage
Standard 8 mm film, also known as Regular 8 mm, Double 8 mm, Double Regular 8 mm film, or simply as Standard 8 or Regular 8, is an 8 mm film format originally developed by the Eastman Kodak company and released onto the market in 1932. Super 8 (left) and Regular 8 mm (right) film formats. Magnetic sound stripes are shown in gray.
Wrong Again is one of the several silent Laurel and Hardy short films that were made with a synchronized music and sound effects track; after its initial theatrical run in 1929, it was rarely seen, and was overshadowed by the sound films. It would eventually be available in a home-edition 8mm or 16mm film, and, as such, almost always without ...
The concept anticipated Woody Allen's comic overdubbed film debut a few years later. True to the Jay Ward brand of humor, the dialogue was loaded with puns and one-line jokes . One silent vignette was retitled " The Barber of Stanwyck ", utilizing scenes from Douglas Fairbanks ' 1920 silent classic, The Mark of Zorro .
The Silent Flyer: William James Craft: Silver Streak, Malcolm McGregor, Louise Lorraine: Produced by Samuel Bischoff and Nat Levine. The trailer survives in the UCLA Film and Television Archive and is available on the DVD More Treasures from American Film Archives, 1894–1931: 50 Films. [118] The Song and Dance Man: Herbert Brenon: Tom Moore ...
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