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"Bread and Roses" is a political slogan as well as the name of an associated poem and song. It originated in a speech given by American women's suffrage activist Helen Todd; a line in that speech about "bread for all, and roses too" [1] inspired the title of the poem Bread and Roses by James Oppenheim. [2]
Birching in a women's prison, US (c. 1890) 1839 caricature by George Cruikshank of a school flogging Edmund Bonner punishing a heretic in Foxe's Book of Martyrs (1563) It was the most common school and judicial punishment in Europe up to the mid-19th century, when caning gained increasing popularity.
The poem was also included in a book by Harte titled Poems, released in January 1871. Several periodicals and books would republish the poem with illustrations. [1] In April 1870, James T. Fields had published a collection of Harte's stories, The Luck of Roaring Camp and Other Sketches through the Fields, Osgood, & Co. imprint. [5]
Judicial corporal punishment in a women's prison, USA (ca. 1890) American colonies judicially punished in a variety of forms, including whipping, stocks, the pillory and the ducking stool. [66] In the 17th and 18th centuries, whipping posts were considered indispensable in American and English towns. [67]
Another example made of positive representations of women is in Finnish author Tove Jansson's Moomin series which features strong and individualized female characters. [153] In recent years, there has been a surge in the production and availability of feminist children's literature as well as a rise in gender neutrality in children's literature.
Estanislao del Campo, Collected Works, Spanish-language, Argentina; Adam Lindsay Gordon, Bush Ballads and Galloping Rhymes, published the day before he died, Australia; Comte de Lautréamont, pen name of Isidore Lucien Ducasse, Poésies, a prose work in two parts, the first on aesthetics and rejecting Romanticism, the second a collection of maxims rewritten to change their original meanings [3 ...
On the other hand, the women in the tales who do speak up are framed as wicked. Cinderella's stepsisters' language is decidedly more declarative than hers, and the woman at the center of the tale "The Lazy Spinner" is a slothful character who, to the Grimms' apparent chagrin, is "always ready with her tongue."
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's Les Fleurs du mal.