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Non-religious secular music and sacred music were the two main genres of Western music during the Middle Ages and Renaissance era. [ citation needed ] The oldest written examples of secular music are songs with Latin lyrics. [ 1 ]
The Secular Ode of Horace, for instance, was commissioned by Augustus and performed by a mixed children's choir at the Secular Games in 17 BC. Music was customary at funerals, and the tibia (Greek aulos), a woodwind instrument, was played at sacrifices to ward off ill influences
He also composed secular music such as oratorios and incidental music, concertos and symphonies. [2] He composed the Missa brevis in C, a setting of the Latin order of Mass, for SATB soloists and choir, 2 trumpets, timpani, 2 violins, organ and continuo. The duration is given as 25 minutes.
Secular motets, known as "ceremonial motets", [17] typically set a Latin text to praise a monarch, music or commemorate a triumph. The theme of courtly love, often found in the medieval secular motet, was banished from the Renaissance motet. Ceremonial motets are characterised by clear articulation of formal structure and by clear diction ...
Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages, [1] from approximately the 6th to 15th centuries. It is the first and longest major era of Western classical music and is followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period.
During the Middle Ages, secular or semi-secular sequences, such as Peter of Blois' Olim sudor Herculis [3] [4] ("The labours of Hercules") were written; the Goliards, a group of Latin poets who wrote mostly satirical verse, used the form extensively. The Carmina Burana is a collection of these sequences.
Luther built on traditional hymns in words and melodies, Latin chants, German songs, secular and sacred folk songs, and hymns from the Bohemian community. [14] Claims that some of Luther's hymns were based on bar tunes or drinking songs perhaps expounded from the use of popular tunes in his hymns, and from later musical terminology that ...
The Lutheran Michael Praetorius composed a mass for double choir in the old style, which he published in 1611 in the collection of church music for the mass in Latin, Missodia Sionia. Composers such as Henri Dumont (1610–1684) continued to compose plainsong settings, distinct from and more elaborate than the earlier Gregorian chants.