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"Dos cruces" is famous Spanish bolero composed by Carmelo Larrea in 1952. [1] The song earned Larrea his second golden record in 1954. [2] Originally entitled "Soledad" (Solitude), it was first recorded by Jorge Gallarzo. [3]
In 1991, Mexican singer Luis Miguel covered "No Sé Tú" on his eighth studio album, Romance, a collection of boleros performed by the artist. [13] Released as the album's second single in February 1992 by WEA Latina, [14] it is one of two songs by Manzanero that Miguel covered in the album, along with "Te Extraño", as selected from among 500 others.
"Bésame Mucho" (Spanish: [ˈbesame ˈmutʃo]; "Kiss Me A Lot") is a bolero song written in 1932 by Mexican songwriter Consuelo Velázquez. [2] It is one of the most popular songs of the 20th century and one of the most important songs in the history of Latin music. It was recognized in 1999 as the most recorded and covered song in Spanish of ...
"Obsesión" is a 1935 Spanish-language bolero song by Puerto Rican songwriter Pedro Flores.The song is one of Flores' best known has been recorded by many artists. Flores was resident in New York where his Cuarteto Flores, including Panchito Riset and Daniel Santos, made his boleros popular.
Bolero is a genre of song which originated in eastern Cuba in the late 19th century as part of the trova tradition. Unrelated to the older Spanish dance of the same name, bolero is characterized by sophisticated lyrics dealing with love. It has been called the "quintessential Latin American romantic song of the twentieth century".
"Silencio" (Spanish for "silence") is a bolero written in 1932 by Puerto Rican musician and composer Rafael Hernández. [1] It has become a standard of the Latin music repertoire, with notable performances by artists such as Cuarteto Machín, Daniel Santos, Noro Morales and Ibrahim Ferrer.
"Flores negras" ("Black Flowers") is a bolero song written and composed by Cuban musician Sergio De Karlo and published in 1937. [1] It was introduced by Mexican tenor Pedro Vargas in the 1937 film Los chicos de la prensa. [2]
[1] [4] For "Quiéreme mucho", he combined the structure of a criolla (the first part) with that of a bolero (the second part), this possibly being the first time both genres had been combined in one song. [1] The song has a romantic style, which suggests an influence from the Italian lyric song. [5]
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