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Decades before the video revolution of the late 1970s/early 1980s, there was a small but devoted market for home films in the 16 mm, 9,5 mm, 8 mm, and Super 8 mm film market. Because most individuals in the United States owning projectors did not have one equipped with sound, vintage silent films were particularly well-suited for the market.
Super 8 and 8 mm film formats – magnetic sound stripes are shown in gray. Super 8 mm film is a motion-picture film format released in 1965 [1] [2] [3] by Eastman Kodak as an improvement over the older "Double" or "Regular" 8 mm home movie format.
Super 8 mm, 8 mm and Standard (double) 8 mm formats Standard and Super 8 mm film comparison. In 1965, Super-8 film was released and was quickly adopted by many amateur film-makers. It featured a better quality image and was easier to use mainly due to a cartridge-loading system that did not require reloading and rethreading halfway through.
They started making budget 8 mm movie cameras in 1939 through a subsidiary run by Briskin's sons, such as the Revere 88 Movie Camera and the Revere 85 8mm Projector. That company was later merged into Excel Auto Radiator Co., which then changed its name to Revere Camera Co.
As home video took its toll on the Super 8 scene, ELMO ceased production of their projectors, with the final models being the GS-1200 P Xenon and P Com in 1983. [6] Following this, the company began making CCD cameras in 1984, [ 1 ] introduced the EV-308 document camera in 1988, [ 7 ] and in the late 90s moved into educational technical equipment.
In 1934, Bell & Howell introduced their first amateur 8mm movie projector, in 1935 the Filmo Straight Eight camera, and in 1936 the Double-Run Filmo 8. The 1938 Kodak cassette holding 25 feet (7.6 m) of Double-Eight film was taken by the Filmo Auto-8 in 1940.
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