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' long under-robe ') A long under-kimono worn by both men and women beneath the main outer garment, [2]: 61 sometimes simply referred to as a juban. Since silk kimono are delicate and difficult to clean, the nagajuban helps to keep the outer kimono clean by preventing contact with the wearer's skin (paralleling the European petticoat).
Adult men generally wear heko obi only at home or in the summer months with a yukata, [17] whereas young boys can wear it in public at mostly any time of year. Kaku obi (角帯, "stiff obi ") is the second type of men's obi, roughly 10 centimetres (3.9 in) wide and 400 centimetres (13 ft) long. [17]
The most formal type of men's hakama, sendaihira hakama, are made of stiff, striped silk, usually black and white, or black and navy blue. These are worn with black montsuki kimono (kimono with one, three, or five family crests on the back, chest, and shoulders), white tabi (divided-toe socks), white nagajuban (under-kimono) and various types ...
Photograph of a man and woman wearing traditional clothing, taken in Osaka, Japan. There are typically two types of clothing worn in Japan: traditional clothing known as Japanese clothing (和服, wafuku), including the national dress of Japan, the kimono, and Western clothing (洋服, yōfuku), which encompasses all else not recognised as either national dress or the dress of another country.
The typical men's kimono is a subdued, dark colour; black, dark blues, greens and browns are common. Fabrics are usually matte, in contrast to the occasional satin weaves of some women's kimono. Some men's kimono have a subtle pattern, and textured fabrics are more common in informal men's kimono.
Both Art Nouveau and Art Deco found cultural purchase in kimono designs of the Taishō period, [12]: 163-164 as a style of inexpensive, durable and ready-to-wear silk kimono known as meisen (lit. "common silk stuff") became immensely popular, particularly following the devastating 1923 Great Kantō earthquake, [20] after which ready-to-wear ...
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