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In music theory, contrapuntal motion is the general movement of two or more melodic lines with respect to each other. [1] In traditional four-part harmony, it is important that lines maintain their independence, an effect which can be achieved by the judicious use of the four types of contrapuntal motion: parallel motion, similar motion, contrary motion, and oblique motion.
In music theory, counterpoint is the relationship of two or more simultaneous musical lines ... movement by similar motion to a perfect fifth or octave, ...
G are approached in similar motion from below. [2] Play ⓘ So-called hidden consecutives, also called direct or covered octaves or fifths, [11] [nb 3] occur when two independent parts approach a single perfect fifth or octave by similar motion instead of oblique or contrary motion.
The notion of musical similarity is particularly complex because there are numerous dimensions of similarity. If similarity takes place between different fragments from one musical piece, a musical similarity implies a repetition of the first occurring fragment.
Music theory is the study of ... I–VII–V, ignoring melodic motion, Laloy ... K. 317 are quite different in genre but happen to be similar in form ...
Melodic motion: ascending vs. descending X conjunct vs. disjunct. Melodic motion is the quality of movement of a melody, including nearness or farness of successive pitches or notes in a melody. This may be described as conjunct or disjunct, stepwise, skipwise or no movement, respectively. See also contrapuntal motion. In a conjunct melodic ...
A Contour Canon can be recognized in the traditional sense, similar to a strict canon or to a canon by inversion, where an original theme or design is presented, and is then followed by a response of the same theme, as well as in an untraditional fashion, where Subcontouric Cells are positioned in such a way that they assemble a canon.
Parallel harmony is frequently used in house music and other electronic music genres. Historically, this resulted from producers sampling chords from soul or jazz and then playing them at different pitches, or using "chord memory" feature from classic polyphonic synthesizers.