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Musical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. [1]
Several international hymns were also selected, including Spanish, Asian and American Indian hymns, as well as Black spirituals. [3] Duke Ellington's "Come Sunday" was also included. [3] In compositions by John Wesley, many of the lyrical changes made by his brother Charles were reverted, and most uses of "thee" were replaced with "you". [2]
A hymnal or hymnary is a collection of hymns, usually in the form of a book, called a hymnbook (or hymn book). They are used in congregational singing . A hymnal may contain only hymn texts (normal for most hymnals for most centuries of Christian history); written melodies are extra, and more recently harmony parts have also been provided.
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The reformer Martin Luther, a prolific hymnodist, regarded music and especially hymns in German as important means for the development of faith.. Luther wrote songs for occasions of the liturgical year (Advent, Christmas, Purification, Epiphany, Easter, Pentecost, Trinity), hymns on topics of the catechism (Ten Commandments, Lord's Prayer, creed, baptism, confession, Eucharist), paraphrases of ...
During the Georgian era, the music of George Frideric Handel was highly significant, with his repertoire of anthems, canticles and hymns, although he never held a church post. [15] Up until the early 19th century, most Anglican church music in England was centred around the cathedrals, where trained choirs would sing choral pieces in worship.
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Hymns and Psalms was the primary hymnbook of the Methodist Church of Great Britain from 1983 until 2010. The hymnbook was first published by the Methodist Publishing House in 1983, to replace the Methodist Hymn-Book , which was published soon after the unification of the Methodist Church in 1933.