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William Clarke Quantrill (July 31, 1837 – June 6, 1865) was a Confederate guerrilla leader during the American Civil War.. Quantrill experienced a turbulent childhood, became a schoolteacher, and joined a group of bandits who roamed the Missouri and Kansas countryside to apprehend escaped slaves.
Eventually these settings became a separate form of Passion music. Perhaps the most outstanding work in this genre in the Lutheran tradition is the work by Heinrich Schütz. Joseph Haydn composed string quartets titled Die sieben letzten Worte unseres Erlösers am Kreuze (The seven last words of our Redeemer on the cross).
The Lawrence Massacre (also known as Quantrill's Raid) was an attack during the American Civil War (1861–65) by Quantrill's Raiders, a Confederate guerrilla group led by William Quantrill, on the Unionist town of Lawrence, Kansas, killing around 150 men and boys.
The first song to became "popular" through a national advertising campaign was "My Grandfather's Clock" in 1876. [3] Mass production of piano in the late-19th century helped boost sheet music sales. [3] Toward the end of the century, during the Tin Pan Alley era, sheet music was sold by dozens and even hundreds of publishing companies.
Sheet music can be used as a record of, a guide to, or a means to perform, a song or piece of music. Sheet music enables instrumental performers who are able to read music notation (a pianist, orchestral instrument players, a jazz band, etc.) or singers to perform a song or piece. Music students use sheet music to learn about different styles ...
Weeden, born in Ohio in 1847, taught in singing schools prior to becoming an evangelist, and was a noted song leader and vocalist. [1] Weeden published many hymns in several volumes, including The Peacemaker (1894), Songs of the Peacemaker (1895), and Songs of Sovereign Grace (1897). His tombstone is inscribed with the title of this hymn, "I ...
The song has been sung at many funerals, including at the funeral of American president Dwight D. Eisenhower at the National Cathedral in Washington, D.C., in March 1969. [9] Apart from its obvious martial associations, the song has been associated with protest against the established order, particularly in the case of the civil rights movement.
The song was little-known outside the indie-pop scene until Seattle grunge band Nirvana recorded the song in November 1993 for their live acoustic album MTV Unplugged in New York, re-titling it "Jesus Doesn't Want Me for a Sunbeam". [3] Two more versions were released by Nirvana on their 2004 box set With the Lights Out.
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