Search results
Results from the WOW.Com Content Network
The gospels describe how, after his initial capture, Jesus was brought before Caiaphas – a high priest in the Jewish Sanhedrin. [4] Honthorst depicts the moment that Caiaphas asks Jesus if he truly claims to be God. The scene takes place at night. Jesus and Caiaphas are separated by a table upon which a candle provides the only light.
The majority of Chazalic literature attributes the primary character of psalm 110 as King David [6] who was a "righteous king" (מלכי צדק) of Salem (Jerusalem) and, like Melchizedek, had certain priest-like responsibilities, while the Babylonian Talmud understands the chapter as referring to Abram who was victorious in battling to save his nephew Lot and merited priesthood. [7]
The psalm is used in the Epistle to the Hebrews to justify the award of the title "High Priest" to Jesus from Scripture. [26] Henry notes: "Melchizedek was 'a priest upon his throne' (Zech. 6:13), so is Christ, king of righteousness and king of peace. Melchizedek had no successor, nor has Christ; his is an unchangeable priesthood". [16]
Hebrews 7 is the seventh chapter of the Epistle to the Hebrews in the New Testament of the Christian Bible.The author is anonymous, although the internal reference to "our brother Timothy" (Hebrews 13:23) causes a traditional attribution to Paul, but this attribution has been disputed since the second century and there is no decisive evidence for the authorship.
In the oldest full manuscript of the Talmud dating from 1342, known as the Munich Talmud, [1] the Righteous Priest is referred to as Melchizedek. [ 2 ] : 85 In his commentary on the Talmud, Rashi says the Shem/Melchizedek is called a craftsman because he helped his father build the ark and taught Abraham.
The Meeting between Abraham and Melchizedek is a 1616-17 painting by Peter Paul Rubens, showing the meeting between Abraham and Melchizedek as recounted in the Genesis 14. It measures 204 cm by 250 cm and is now in the Musée des Beaux-Arts de Caen. The painting's origins are unknown.
Altarpiece of the Holy Sacrament or Triptych of the Last Supper is a 1464–1468 dated folding triptych with at least five panel paintings attributed to the Flemish painter Dieric Bouts, now reassembled and held at its location of origin in the eastern choir chapel of St. Peter's Church, Leuven, Belgium.
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus of Nazareth by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]