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Habanera ("music or dance of Havana") is the popular name for "L'amour est un oiseau rebelle" (French pronunciation: [lamuʁ ɛt‿œ̃n‿wazo ʁəbɛl]; "Love is a rebellious bird"), an aria from Georges Bizet's 1875 opéra comique Carmen.
Like Carmen's Habanera, it is built on a descending chromatic scale as Escamillo describes his experiences in the bullfighting ring. In the chorus praising the toreador, the music turns celebratory and confident in character. [1] Frasquita, Mercédès, Carmen, Moralès, Zuniga and the chorus join for the repeat of the refrain. [2]
Because of the popularity of the Cuban contradanza (habanera), the tresillo variant known as the habanera rhythm was adopted into European art music. For example, Georges Bizet's opera Carmen (1874) has a famous aria, "L'amour est un oiseau rebelle" based on a habanera pattern. The first seven measures are shown below.
Carmen sings the "Habanera", act 1. Bizet, who had never visited Spain, sought out appropriate ethnic material to provide an authentic Spanish flavour to his music. [25] Carmen's habanera is based on an idiomatic song, "El arreglito", by the Spanish composer Sebastián Yradier (1809–65).
The music is taken from the 1875 opera of the same name by Georges Bizet, arranged and re-orchestrated by Tommy Desserre. The scenario is based on the 1845 novella by Prosper Mérimée . The principal roles were created for Petit's wife-to-be Zizi Jeanmaire (Carmen), Roland Petit (Don José) and Serge Perrault (Le Toréador).
Habanera, guitar composition by Eduardo Sainz de la Maza; Habanera, guitar composition by Xavier Montsalvatge "Habanera" (aria), popular name of an aria "L'amour est un oiseau rebelle" from Bizet's opera Carmen; Habanera (John Harle album), a 1987 album by the English classical saxophonist John Harle; Habanera, a 2000 album by Celia Cruz
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