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Show Boat is a musical with music by Jerome Kern and book and lyrics by Oscar Hammerstein II.It is based on Edna Ferber's best-selling 1926 novel of the same name.The musical follows the lives of the performers, stagehands and dock workers on the Cotton Blossom, a Mississippi River show boat, over 40 years from 1887 to 1927.
Unlike the 1936 film, none of the members of the original Broadway cast of the show appeared in this version. The 1951 Show Boat was the most financially successful of the film adaptations of the show: one of MGM's most popular musicals, it was the second highest-grossing film of that year. [4]
The 18-minute prologue is introduced by Ziegfeld and producer Carl Laemmle, and features excerpts from the stage production performed by cast members Jules Bledsoe, Tess Gardella, Helen Morgan and the Broadway chorus. [103] [104]: 61 Two subsequent adaptations of Show Boat, in 1936 and 1951, were based on the stage musical. [105] [106]
Show Boat is a 221-minute studio album of Jerome Kern's musical, performed by a cast headed by Karla Burns, Jerry Hadley, Bruce Hubbard, Frederica von Stade and Teresa Stratas with the Ambrosian Chorus and the London Sinfonietta under the direction of John McGlinn. It was recorded from June 1 to August 31, 1987 at Abbey Road Studios in London.
In 1927, Morgan appeared as Julie LaVerne in the original cast of Show Boat, her best-known role. [1] She sang "Bill" (lyrics by P.G. Wodehouse, music by Jerome Kern) and "Can't Help Lovin' Dat Man" in two stage runs and two film productions of Show Boat over a span of 11 years. [4]
Show Boat, adapted by Oscar Hammerstein II and directed by James Whale, based on the stage musical; Show Boat, adapted by John Lee Mahin and directed by George Sidney, based on the stage musical; Show Boat, adapted by Charles Kenyon and directed by Harry A. Pollard, based on the Ferber novel
Show Boat's Julie is perhaps the first truly tragic character depicted in a musical. [4] Most of what happens to her in the novel remains exactly the same in the show—she is still a biracial woman who is married to a white man and is forced to leave the show because of racist laws, an element once considered taboo in a musical play .
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