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Leica III or IIIa with 250-image magazines (10 metres of film) Leica G (Leica IIIa) 1935–1940: adds 1/1000 speed: Leica IIIb: 1938–1940: Rangefinder and view windows closer together: Leica IIIc: 1940–1951: die-cast body, slightly longer, redesigned shutter featuring ball bearings: Leica IIId: 1940–1945: Very rare, only 427 were built ...
The Leica II is a Barnack rangefinder camera introduced by Leica in 1932. They were the first Leica cameras with a built-in rangefinder. Several models were produced over the years, in parallel with the Leica III series from 1933. The Leica II uses a coupled rangefinder distinct from the viewfinder. The viewfinder is set for a 50 mm lens; use ...
50 inch fixed screen projector with two projector lenses with three tubes. 60 fL on screen brightness. KP-7200 [36] Sony: 1978: No : 480i : 50 [37] Analogue: 72 inch fixed screen projector with two projector lenses with crt three tubes. 30 fL on screen brightness. KP-5010 : Sony: 1979: No : 480i : Analogue: 50 inch screen projector: KP-7210 ...
A projector or image projector is an optical device that projects an image (or moving images) onto a surface, commonly a projection screen. Most projectors create an image by shining a light through a small transparent lens, but some newer types of projectors can project the image directly, by using lasers .
The Leica R4 (1980) and Leica SL2 MOT (1974) The Leica Visoflex II (1960) Leica's answer to the SLR: a Leica Visoflex II on Leica IIIf. From 1964, Leica produced a series of single-lens reflex cameras, beginning with the Leicaflex, followed by the Leicaflex SL, the Leicaflex SL2, and then the R series from R3 to R7, made in collaboration with ...
This is the 1 step you should never skip when baking cookies. Food. Simply Recipes. The only way to prevent bagged salads and greens from rotting. News. News. People.
Here’s what garden and patio plants you can save for next spring. As the temperatures start to drop and sweater weather arrives, you may start to look sadly at your beautiful, lush garden plants.
At the projector a corresponding lens restores the wide aspect ratio to be seen on the screen. The anamorphic element can be an attachment to existing spherical lenses. Some anamorphic formats utilized a more squarish aspect ratio (1.18:1, vs. the Academy 1.375:1 ratio) on-film in order to accommodate more magnetic and/or optical tracks.