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In music, an instrumental solo piece (from the Italian: solo, meaning alone) is a composition, like an étude, solo sonata, partita, solo suite or impromptus, or an arrangement, written to be played by a single performer. [1] The performer is called a soloist. The instrumental solo pieces can be monophonic or polyphonic.
In popular music and traditional music, the accompaniment parts typically provide the "beat" for the music and outline the chord progression of the song or instrumental piece. The accompaniment for a vocal melody or instrumental solo can be played by a single musician playing an instrument such as piano, pipe organ, or guitar.
In jazz, when one instrumentalist or singer is doing a solo, the other ensemble members play accompaniment parts. While fully written-out accompaniment parts are used in large jazz ensembles, such as big bands, in small groups (e.g., jazz quartet, piano trio, organ trio, etc.), the rhythm section members typically improvise their accompaniment parts, an activity called comping.
Trumpeter, bandleader and singer Louis Armstrong: as soloist.. In music, a solo (Italian for 'alone') is a piece or a section of a piece played or sung featuring a single performer, who may be performing completely alone or supported by an accompanying instrument such as a piano or organ, a continuo group (in Baroque music), or the rest of a choir, orchestra, band, or other ensemble.
"Charleston" rhythm, simple rhythm commonly used in comping. [1] Play example ⓘ. In jazz, comping (an abbreviation of accompaniment; [2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines.
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A piano concerto, a type of concerto, is a solo composition in the classical music genre which is composed for piano accompanied by an orchestra or other large ensemble. Piano concertos are typically virtuosic showpieces which require an advanced level of technique.
Typically during the classical period, a solo cadenza in a concerto would end with a trill, usually on the supertonic, preceding the re-entry of the orchestra for the movement's coda. Extended cadential trills were frequent in Mozart 's piano concerti ; they may also be found in violin concerti and concerti for stringed instruments of the ...