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This tone is known in traditional Chinese linguistics as the entering (入 rù) tone, a term commonly used in English as well. The other three tones were termed the level (or even ) tone ( 平 píng ), the rising ( 上 shǎng ) tone, and the departing (or going ) tone ( 去 qù ). [ 2 ]
In tonal languages, tone names are the names given to the tones these languages use. Pitch contours of the four Mandarin tones In contemporary standard Chinese (Mandarin), the tones are numbered from 1 to 4.
The four tones of Middle Chinese—level (平), rising (上), departing (去), and entering (入) tones—are categorized into level (平) tones and oblique (仄) tones. Tones that are not level are oblique. When tone patterns are used in poetry, the pattern in which level and oblique tones occur in one line is often the inverse of that of the ...
A Chinese dance. Dance in China is a highly varied art form, consisting of many modern and traditional dance genres. The dances cover a wide range, from folk dances to performances in opera and ballet, and may be used in public celebrations, rituals, and ceremonies.
Yuen Ren Chao considered the changed tone 2 to be identical to tone 1, and Cao Wen treated it as tone 1 (before tones 1 or 4) or tone 4 (before tones 2 or 3). [ 21 ] [ 22 ] Both views are generalizations; the exact pitch contour of the changed tone 2 varies between mid-level ˧ in isolated words or at a slower speaking rate, and slightly ...
The word music (樂, yue) in ancient China can also refer to dance as music and dance were considered integral part of the whole, and its meaning can also be further extended to poetry as well as other art forms and rituals. [4] The word "dance" (舞) similarly also referred to music, and every dance would have had a piece of music associated ...
Traditional Yangge dance performance by the Dream Butterfly Dance Group (蝶梦舞团) at Binus UniversityYangge (Chinese: 秧歌; pinyin: yānggē; lit. 'Rice Sprout Song') is a form of Chinese folk dance developed from a dance known in the Song dynasty as Village Music (村田樂). [1]
The term "tonal contour" is used to indicate that these tones are not tones in the sense of absolute musical pitches, but rather in terms of the overall relative "shape" of the tones as spoken or chanted. The four tones of Middle Chinese were first described by Shen Yue around AD 500. They were the "level" (平 píng), "rising" (上 shǎng ...