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Snake charming is the practice of appearing to hypnotize a snake (often a cobra) by playing and waving around an instrument called a pungi. A typical performance may also include handling the snakes or performing other seemingly dangerous acts, as well as other street performance staples, like juggling and sleight of hand .
The pungi is played by Jogi in the Thar desert. [11] It is in particular played by snake charmers, mostly in the Terai and Nepal, to arouse snakes to dance. [12] The instrument has a high, thin tone and continuous low humming. [13] It has been an important instrument in Indian folk culture and is known by various names in different parts of India.
The male participants play musical instruments, such as the pungi, a woodwind instrument traditionally played to capture snakes, the dufli, been, the khanjari - a percussion instrument, morchang, khuralio and the dholak to create the rhythm on which the dancers perform. The dancers are tattooed in traditional designs and wear jewelry and ...
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A medieval instrument, labeled nagaveena (snake veena), is a type of musical scraper. Chigggjha – fire tong with brass jingles; Chengila – metal disc; Eltathalam; Gegvrer – brass vessel; Ghaynti – Northern Indian bell; Ghatam and Matkam (Earthenware pot drum) Ghunyugroo; Khartal or Chiplya; Manjira or jhanj or taal; Nut – clay pot ...
Learners may use this before going on to the bin. If used for snake charming, an additional bamboo rod is attached. Snake charmer with pungi in India. Bin or Bean [22] बीन Like the Pungi, a double reed woodwind with two reed pipes (one a drone) attached to small gourd, a mouth-blown air hole at the top of the gourd.
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Punnagavarali raga is associated with karuna rasa and snakes (naga means snake). Snake charmers play this scale. In wedding ceremonies, a piece called the Odam usually played at the muhurtam, is often in Punnagavarali. This is an ancient raga and traditional Tamil pieces such as Nondichindu are also set in this. [2] [3] [4] [5]