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The New York Philharmonic is an American symphony orchestra based in New York City. Known officially as the Philharmonic-Symphony Society of New York, Inc., [1] and globally known as the New York Philharmonic Orchestra (NYPO) [2] [3] or the New York Philharmonic-Symphony Orchestra, [4] it is one of the leading American orchestras popularly called the "Big Five". [5]
Conductor Ernest Henry Schelling with dog aboard the S.S. Paris, May 24, 1922. The New York Philharmonic's annual "Young People's Concerts" series was founded in 1924 by conductor "Uncle" Ernest Schelling and Mary Williamson Harriman and Elizabeth "Bessie" Mitchell, co-chairs of the Philharmonic's Educational and Children's Concerts Committee. [4]
Several noted conductors appeared at the stadium in concert with the Lewisohn Stadium Symphony Orchestra, the New York Philharmonic and the Metropolitan Opera Orchestra. Kurt Adler and Alfredo Antonini conducted a series of open-air summer concerts at the stadium for three decades during the 1940s, 1950s and 1960s, many conducted by .
[4] The five were the New York Philharmonic, Boston Symphony Orchestra, Chicago Symphony Orchestra, Philadelphia Orchestra, and Cleveland Orchestra. But the concept and the list are now outmoded. Music critics today include more orchestras on their lists of "top" American orchestras. [5] Notable U.S. orchestras are listed here by state.
The New York Youth Symphony (NYYS), founded in 1963, is a music organization for the youth in New York City, [1] widely reputed to be one of the best of its kind in the nation and world. Its programs include its flagship Orchestra , Chamber Music , Jazz , Apprentice Conducting, Composition, and Musical Theater Songwriting Programs.
The New York Philharmonic concert of April 6, 1962, is widely regarded as one of the most controversial in the orchestra's history. Featuring a performance by Glenn Gould of the First Piano Concerto of Johannes Brahms, conducted by its music director, Leonard Bernstein, the concert became famous because of Bernstein's remarks from the podium prior to the concerto.
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