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A 15-pin VGA connector for a personal computer A 21-pin SCART or JP21 connector for a television. The various RGB (red, green, blue) analog component video standards (e.g., RGBS, RGBHV, RGsB) use no compression and impose no real limit on color depth or resolution, but require large bandwidth to carry the signal and contain a lot of redundant data since each channel typically includes much of ...
YP B P R (a.k.a. component video) 1990s: 3 RCA or BNC connectors, Apple-AAUI, D-Terminal, SCART 21-pin: Analog: 1920 × 1080 @ 60 [9] Consumer electronics: Also referred to as Component video and YUV. D-Terminal uses voltage levels to signal resolution. Digital Visual Interface (DVI) 1999: DVI, Mini-DVI, Micro-DVI: Both: 2560 × 1600 @ 60 3840 ...
Carries standard definition video and does not carry audio on the same cable. Mini-DIN 4-pin Component. In popular use, it refers to a type of analog video information that is transmitted or stored as three separate signals. Either RGB interfaces or YPbPr: 3 RCA jacks: Composite, S-Video, and Component: VIVO = Mini-DIN 9-pin with breakout cable.
Component video, 3 signals such as Y′UV or Y, B-Y, R-Y; S-Video, 2 signals, which have the brightness (luminance) information on one cable and the color information (chrominance) on another. Most monitors with S-Video inputs also support composite inputs; Several digital video standards, including DVI and HDMI
For example, an HDMI display can be driven by a DVI-D source because HDMI and DVI-D both define an overlapping minimum set of supported resolutions and frame buffer formats. Some DVI-D sources use non-standard extensions to output HDMI signals including audio (e.g. ATI 3000-series and NVIDIA GTX 200-series). [17]
A composite video signal combines, on one wire, the video information required to recreate a color picture, as well as line and frame synchronization pulses. The color video signal is a linear combination of the luminance (Y) of the picture and a chrominance subcarrier which carries the color information (C), a combination of hue and saturation ...
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