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Films about McCarthyism, the political repression and persecution of left-wing individuals and a campaign spreading fear of alleged communist and socialist influence on American institutions and of Soviet espionage in the United States during the late 1940s through the 1950s.
Beginning in 1950, McCarthy became the most visible public face of a period in the United States in which Cold War tensions fueled fears of widespread communist subversion. [1] He alleged that numerous communists and Soviet spies and sympathizers had infiltrated the United States federal government, universities, film industry, [2] [3] and ...
The McCarran Internal Security Act, which became law in 1950, has been described by scholar Ellen Schrecker as "the McCarthy era's only important piece of legislation" [59] (the Smith Act technically antedated McCarthyism). However, the McCarran Act had no real effect beyond legal harassment.
The Hollywood Ten is a 1950 American short documentary film.Shot in 16mm with a runtime of 15 minutes, it was created quickly to raise public awareness and legal funds for the ten screenwriters and directors who comprised the "Hollywood Ten". [1]
Larry Parks stars in this, one of his British movies, made after he was driven out of Hollywood at the height of his career during the McCarthy era witch-hunts of the 1950s. He plods through a tatty little tale about a journalist threatened by hoodlums. A thrill-free thriller." [6]
In Showtime's McCarthy-era drama 'Fellow Travelers,' silence is the sharpest of double-edged swords: What ensures survival in one regime equals death in another. Commentary: McCarthyism makes us ...
Screenwriter Norma Barzman, who got her start during the Golden Age of Hollywood and was blacklisted with her husband during the McCarthy era, died Sunday in Beverly Hills, her son Paolo confirmed ...
Tail Gunner Joe is in its own way as biased and unfair as any of Joe McCarthy's diatribes but this made-for-TV movie works as a brisk, entertaining recollection of an era in which "guilt by association" was a byword. As Joe McCarthy, Peter Boyle's performance is so convincing that it borders on the supernatural.
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