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In fashion, the word "cape" usually refers to a shorter garment and "cloak" to a full-length version of the different types of garment, though the two terms are sometimes used synonymously for full-length coverings. A shoulder cape is thus sometimes called a "capelet". The fashion cape does not cover the front to any appreciable degree.
A mantle (from old French mantel, from mantellum, the Latin term for a cloak) is a type of loose garment usually worn over indoor clothing to serve the same purpose as an overcoat. Technically, the term describes a long, loose cape -like cloak worn from the 12th to the 16th century by both sexes, although by the 19th century, it was used to ...
Ladies may wear a long (over the shoulders or to ankles) cloak usually called a cape, or a full-length cloak. Gentlemen wear an ankle-length or full-length cloak. Formal cloaks often have expensive, colored linings and trimmings such as silk, satin, velvet and fur. The term was the title of a 1942 operatic comedy. [12]
A cape dress describes a woman's dress that combines features of the cape and the dress. Either a cape-like garment is attached to the dress, pinned or sewn on, [1] and integrated into its construction, or the dress and cape are made to coordinate in fabric and/or color. [2] Cape dresses provide a modest double layer in the bodice area.
A 1903 fashion plate of an Ulster, showing how the forearms can be brought under the cape. The Ulster is a Victorian working daytime overcoat, with a cape and sleeves. The Ulster is distinguished from the Inverness coat by the length of the cape. In the Ulster, the cape only reaches just past the elbows, allowing free movement of the forearms.
In clothing, a train describes the long back portion of a robe, coat, cloak, skirt, overskirt, or dress that trails behind the wearer. It is a common part of ceremonial robes in academic dress, court dress or court uniform. It is also a common part of a woman's formal evening gowns or wedding dresses.
Most versions are cut off the shoulder with a low décolletage, exposed arms, and long bouffant styled skirts. [1] Such gowns are typically worn with opera-length white gloves, vintage jewelry or couture, and a stole (a formal shawl in expensive fabric), cape, or cloak in lieu of a coat.
Women in towns and those who lived near the Welsh-English border or near busy ports were already wearing English fashions, often made of cotton. During the 1830s, certain members of the gentry , especially Augusta Hall (later Lady Llanover ) of Llanover near Abergavenny, recorded and tried to preserve some Welsh traditions, including costume.