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Harmon's stand-out acting roles include the 30-foot-tall (9 m) Merrie in Village of the Giants (1965, in which she captures normal-sized Johnny Crawford and suspends him from her bikini top), and the car-washing Lucille in Cool Hand Luke (1967) [7] with her purportedly 41–22–36 measurements. [2]
Lucille Clifton (June 27, 1936 – February 13, 2010) [1] was an American poet, writer, and educator from Buffalo, New York. [ 2 ] [ 3 ] [ 4 ] From 1979 to 1985 she was Poet Laureate of Maryland . Clifton was a finalist twice for the Pulitzer Prize for poetry.
Tyson reads "Three Wishes" by Lucille Clifton, a folktale about a girl who gets three wishes after finding a penny with her birth year on New Year's Day. Thomas, Kristofferson, and Coolidge sing "Circle of Friends" with their friends.
Northup was a free-born African American man from New York. In 1841 he was offered a traveling musician job in Washington D.C. (where slavery was legal). He was drugged and kidnapped into slavery for 12 years until he met Samuel Bass , a Canadian working on his plantation who helped get word to New York, where state law provided aid to free New ...
The Dark Corner is a 1946 American crime film noir directed by Henry Hathaway and starring Lucille Ball, Clifton Webb, William Bendix and Mark Stevens. [2] The film was not a commercial success but has since been described as a "Grade A example of film noir ."
Dorothy Ruth Hoogstraten (February 28, 1960 – August 14, 1980), known professionally as Dorothy Stratten, was a Canadian model and actress, primarily known for her appearances as a Playboy Playmate.
Jessica Ann Walter (January 31, 1941 – March 24, 2021) was an American actress who appeared in more than 170 film, stage, and television productions.. In films, she was best known for her role as a psychotic and obsessed fan of a local disc jockey in the 1971 Clint Eastwood thriller, Play Misty for Me.
A few days after shooting started, Clifton suffered a heart attack. Lupino stepped in to direct the film (which she co-wrote and co-produced) without taking credit (this was the last film that Clifton worked on but not his final overall effort, as two films of his would be released after his death on October 15, 1949). [ 2 ]