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All lyrics are written by Jacoby Shaddix, except where noted; all music is composed by Tobin Esperance, except where noted. No. ... "Decompression Period" Shaddix;
The song references social issues of its period, including the Vietnam War, the draft, the threat of nuclear war, the Civil Rights Movement, turmoil in the Middle East and the American space program. The American media helped to make the song popular by using it as an example of everything that was wrong with the youth culture of the time . [ 5 ]
Recording for the album began in November 2003 in the El Cortijo Studio in Spain, [2] being produced by Jacob Hellner and Rammstein. The band recorded several songs during the sessions for the Reise, Reise album, which the band initially planned as a double album but later scrapped the idea. 7 songs were omitted from the album's final track listing and were later released on their follow-up ...
Sven Fielder is a German diving instructor who runs a tourist business in Lanzarote with his lover Antje Berger. Their everyday lives turn complicated when Sven is hired by the actress Jola von der Pahlen, who needs to improve her diving skills to get the leading role in an upcoming film about Lotte Hass, and her abusive husband Theo Hast, a writer whose only novel was published ten years earlier.
"Blank Generation" is the title track of Richard Hell and the Voidoids' 1977 debut album Blank Generation. A rewrite of Bob McFadden and Rod McKuen's 1959 record "The Beat Generation", [3] Richard Hell wrote the new lyrics during his time with the band Television, and performed it live with another band, The Heartbreakers. [4]
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Greenwood said the lyrics were inspired by a woman who Yorke had "followed for a couple of days", and who unexpectedly attended a Radiohead performance. [11] John Harris , then the Oxford correspondent for Melody Maker , said "Creep" was about a girl who frequented the upmarket Little Clarendon Street in Oxford.
As "one of Bolan's most honestly autobiographical songs in years", Thompson noted the "candid synopsis of his own decline" in the lyrics. He felt the song on the whole was proof that "just as the mid- to late-'70s punk movement took much of its impetus from Bolan's own early example, Bolan was himself rejuvenating around its energies."