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"The Rains of Castamere" is a song appearing in the A Song of Ice and Fire novels and in the television series adaptation Game of Thrones. The lyrics were written by George R. R. Martin in the novel A Storm of Swords, published in 2000, and the song was composed by Ramin Djawadi in 2011, upon request from the television series creators David Benioff and D. B. Weiss.
"Red Roses for a Blue Lady" is a 1948 popular song by Sid Tepper and Roy C. Bennett (alias Roy Brodsky). It has been recorded by a number of performers. Actor-singer John Laurenz (1909–1958) [1] was the first to record the song for Mercury Records. It rose to #2 on the weekly “Your Hit Parade” radio survey in the spring of 1949.
The Red Wedding was inspired by the Black Dinner that took place in 1440 at Edinburgh Castle. George R. R. Martin conceived The Red Wedding during the earliest stages of the planning of his saga, when he was envisioning a trilogy with The Red Wedding as one of the climactic events at the end of the first of the three books.
"The Lion and the Rose": Played at Joffrey's wedding and during the end credits. 2:42: 3. "Breaker of Chains" "The Children": Daenerys locks Rhaegal and Viserion beneath the Great Pyramid of Meereen. Contains the Targaryen Theme ("Fire and Blood") and hints of the Main Theme. 4:05: 4. "Watchers on the Wall"
The Rose soundtrack also included one song that since its original release has become a mainstay in Midler's live repertoire, Jerry Ragovoy's despairing blues ballad "Stay With Me". The Rose peaked at #12 on Billboard's album chart in the Spring of 1980, making it Midler's bestselling album since 1973's Bette Midler.
The ending theme song, sung by Miyako Harumi, is titled "Ai wa Hana, Kimi wa sono Tane" (愛は花、君はその種子, "Love Is a Flower, You Are the Seed"), a Japanese translation of Amanda McBroom's composition "The Rose". [43] The song appears in Napoleon Dynamite in the scene where Napoleon performs with the Happy Hands Club for his class ...
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This song is an example of a parlor ballad. This ballad may have roots in the Anglo-Scots-Irish song tradition. Foster's "Ah! May the Red Rose Live Alway!" is similar to Irish musician Thomas Moore's "The Last Rose of Summer". [2] Ah May the Red Rose Live Alway. The song begins with a piano introduction. The first vocal line of "Ah!
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