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The poem first appeared in 1888 in the Chicago weekly literary journal America. Its editor, Slason Thompson, changed the penultimate line ("That they have never seen our Little Boy Blue") to its present form. The poem was republished by Charles Scribner's Sons in 1889 in Field's The Little Book of Western Verse.
America Today is a mural comprising ten canvas panels, painted with egg tempera in 1930–1931 by the American painter Thomas Hart Benton.It provides a panorama of American life throughout the 1920s, based on Benton's extensive travels in the country.
Thomas is the creator of the fixed form of poetry known as the "Skinny. [3]" In addition, he has edited and co-edited a number of anthologies, including Where We Stand: Poems of Black Resilience [ 4 ] (Cherry Castle Publishing, 2022), The Skinny Poetry Anthology [ 5 ] (Cherry Castle Publishing, 2019), and is the Editor-in-Chief of The Skinny ...
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Beau (poem) Because I could not stop for Death; Bells for John Whiteside's Daughter; Beyond the Alps; Birches (poem) A Bird came down the Walk; The Bird with the Coppery, Keen Claws; Bivouac of the Dead; Black Cross (Hezekiah Jones) Black Perl; Blue Hills of Massachusetts; The Book of the Dead (poem) Brahma (poem) The Bridge (poem) The Broken ...
Title page of the 1855 edition of The Poets and Poetry of America. The Poets and Poetry of America was a popular anthology of American poetry collected by American literary critic and editor Rufus Wilmot Griswold. It was first published in 1842 and went into several editions throughout the 19th century.
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Poems of the Past and the Present is the second collection of poems by English poet Thomas Hardy, and was published in 1901. A wide-ranging collection, divided into five headings, it contains some of Hardy's most powerful and lasting poetic contributions.