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Claude Debussy also composed the famous "Clair de lune" in this key, with a significant section in C-sharp minor. Edvard Grieg composed the second movement of his Piano Concerto in D-flat. Frédéric Chopin's Nocturne in D-flat, Op. 27 and Berceuse, Op. 57 are in this key.
Claude Debussy's Suite bergamasque does this: in the third movement "Clair de lune" the key shifts from D-flat major to D-flat minor (eight flats) for a few measures but the passage is notated in C-sharp minor (four sharps); the same happens in the final movement, "Passepied", in which a G-sharp major section is written as A-flat major.
Clair de lune features prominently in the novel All the Light We Cannot See as well as the miniseries adaptation. In the 2022 comedy-drama Everything Everywhere All at Once, it is featured prominently as the theme for Deirdre. Clair de lune appears near the denouement in Ocean's Eleven (2001), as the team looks out over the Fountains of Bellagio.
"Clair de lune" (Fauré), setting of the Paul Verlaine poem by Fauré, from his Two Songs, Op. 46 (1887) Clairs de lune, a set of four piano pieces, each titled "Claire de Lune", by Abel Decaux (1907) Piano Sonata No. 14 (Beethoven), Op. 27, No. 2 (1801), the "Moonlight" piano sonata by Beethoven, known in French as Sonate au Clair de lune
Clair de lune" (French for "Moonlight") is a poem written by French poet Paul Verlaine in 1869. It is the inspiration for the third and most famous movement of Claude Debussy's 1890 Suite bergamasque. Debussy also made two settings of the poem for voice and piano accompaniment.
Claude Debussy's classical piece "Clair de Lune" served as the intro to the album's closing ballad, "Ballerina". The version of "Clair de Lune" on Crystal Ball features only DeYoung on piano, with the key changed from D flat to C, as the next track ("Ballerina") begins in C minor.
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En sourdine" and "Clair de lune" are almost completely rewritten. The musicologist Roger Nichols writes that they display "a far more adventurous harmonic palette" than the composer had developed at the time of the first settings, "blending modality and chromaticism in equal measure".