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Come Down, O Love Divine; Come, Holy Ghost; Come, Lord, and Tarry Not; Come My Way, My Truth, My Life; Come, rejoice Before Your Maker; Come, Thou Holy Spirit, Come; Come To Me; Come To My Mercy; Come, Ye Faithful, Raise the Strain; Comfort, Comfort Ye My People; Conditor alme siderum; Creator of the Earth and Skies; Creator Spirit, By Whose ...
"Faith of our Fathers" is a Catholic hymn, written in 1849 [1] by Frederick William Faber in memory of the Catholic Martyrs from the time of the establishment of the Church of England by Henry VIII and Elizabeth. [2] Faber wrote two versions of the hymn: one with seven stanzas for Ireland, and another with four for England. [3]
"Amazing Grace" is a Christian hymn published in 1779, written in 1772 by English Anglican clergyman and poet John Newton (1725–1807). It is possibly the most sung and most recorded hymn in the world, and especially popular in the United States, where it is used for both religious and secular purposes.
Gateway Worship performed the song on their album Living for You and added a chorus to the song, calling it "Come Thou Fount, Come Thou King". The hymn appears on Phil Wickham's album 'Sing-A-Long'. This song is also sung by Clark Davis in the film Love Comes Softly and is a recurring background music in the film.
The title of the song originates in a phrase that non-believers used to describe Christians believers of early Church: "Behold, how they love one another." [2] The song was released on an LP of the same name featuring the congregation of Fr. Scholtes' church, St. Brendan's on the south side of Chicago. [3]
Gospel Songs & Hymns, V.E. Howard, (1978) Church Gospel Songs and Hymns, V.E. Howard Publishing (1983) Hymns for Worship (Revised in 1994 with a couple hundred more selections), R.J. Stevens publishing (1987) Praise for the Lord, John P. Wiegand (1992) Songs of Faith and Praise, Alton Howard publishing (1993)
The melody is credited to Dorsey, drawn extensively from the 1844 hymn tune, "Maitland". [1] " Maitland" is often attributed to American composer George N. Allen (1812–1877), but the earliest known source (Plymouth Collection, 1855 [2]) shows that Allen was the author/adapter of the text "Must Jesus bear the cross alone," not the composer of the tune, and the tune itself was printed without ...
Many of the contemporary artists who authored the folk music that was used in American Catholic Liturgy choose F.E.L. to be their publisher, as did Ray Repp, who pioneered contemporary Catholic liturgical music and authored the "First Mass for Young Americans", a suite of folk-style musical pieces designed for the Catholic liturgy. Repp gave an ...