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The Epitaphios (Greek: Ἐπιτάφιος, epitáphios, or Ἐπιτάφιον, epitáphion, meaning "upon the tomb"; Slavonic: Плащаница, plashchanitsa; Arabic: نعش, naash) is a Christian religious icon, typically consisting of a large, embroidered and often richly adorned cloth, bearing an image of the dead body of Christ, often accompanied by his mother and other figures ...
Lamentation by Giotto, 1305. The Lamentation of Christ [1] is a very common subject in Christian art from the High Middle Ages to the Baroque. [2] After Jesus was crucified, his body was removed from the cross and his friends mourned over his body.
Luke 13 is the thirteenth chapter of the Gospel of Luke in the New Testament of the Christian Bible. It records several parables and teachings told by Jesus Christ and his lamentation over the city of Jerusalem. [1] Jesus resumes the journey to Jerusalem which he had embarked upon in Luke 9:51.
[1] [2] In the Hebrew Bible it is a part of the Book of the Twelve Minor Prophets. [3] [4] The Book of Amos contains the prophecies attributed to the prophet Amos, including in this chapter a lamentation for Israel (Amos 5:1–3), an exhortation to repentance (Amos 5:4–20), and God's rejection of their hypocritical service (Amos 5:21–27). [5]
Thomas Tallis set the first lesson, and second lesson, of Tenebrae on Maundy Thursday between 1560, and 1569: "when the practice of making musical settings of the Holy Week readings from the Book of Jeremiah enjoyed a brief and distinguished flowering in England (the practice had developed on the continent during the early 15th century)".
The Book of Lamentations (Hebrew: אֵיכָה, ʾĒḵā, from its incipit meaning "how") is a collection of poetic laments for the destruction of Jerusalem in 586 BCE. [1] In the Hebrew Bible , it appears in the Ketuvim ("Writings") as one of the Five Megillot ("Five Scrolls") alongside the Song of Songs , Book of Ruth , Ecclesiastes , and ...
The Vienna Diptych or the Fall and Redemption of Man [1] is a religious diptych by the Flemish artist Hugo van der Goes depicting the fall of man on the left panel and the lamentation of Christ on the right panel. Painted in the second half of the 15th century, the diptych is housed in the Kunsthistorisches Museum, Vienna. [1]
In various Catholic countries, particularly in the Kingdom of Spain, the Philippines and Latin American countries, images of the three Marys (in Spanish Tres Marías) associated with the tomb are carried in Good Friday processions referred to by the word Penitencia (Spanish) or Panatà (Filipino for an act performed in fulfilment of a vow).