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Writers of Māori descent, some of whose writings are related to Māori culture. This is a non-diffusing subcategory of Category:New Zealand writers . It includes New Zealand writers that can also be found in the parent category, or in diffusing subcategories of the parent.
The first private literary award was the biennial Katherine Mansfield Memorial Award, a short-story competition organised by the New Zealand Women Writers' Society and funded by the Bank of New Zealand, which became available in 1959; [91] [92] this award ran until 2015. [93]
Te Awekotuku has researched and written extensively on the traditional and contemporary practices of tā moko (tattoo) in New Zealand. Her 2007 (re-published in 2011) book Mau Moko: the world of Maori tattoo, co-authored with Linda Waimarie Nikora, was the product of a five-year long research project conducted by the Māori and Psychology Research Unit at the University of Waikato, funded by a ...
Openclipart, also called Open Clip Art Library, is an online media repository of free-content vector clip art.The project hosts over 160,000 free graphics and has billed itself as "the largest community of artists making the best free original clipart for you to use for absolutely any reason".
Los Angeles sports organizations are uniting to launch an “LA Strong” custom logo and apparel line that will raise money for organizations assisting those impacted by this week's devastating ...
This logo image consists only of simple geometric shapes or text. It does not meet the threshold of originality needed for copyright protection, and is therefore in the public domain . Although it is free of copyright restrictions, this image may still be subject to other restrictions .
“She had a Māori woman, but she wasn't a Māori artist, you didn't meet the criteria." The post Māori Artist Community Condemns White Woman’s ‘Entitlement’ first appeared on Bored Panda.
Bruce Richard Stewart (5 August 1936 – 28 June 2017) was a New Zealand fiction writer and dramatist of Ngāti Raukawa Te Arawa descent. Stewart's work often expresses the anger, the confused loyalties, and the spiritual aspirations of late-twentieth-century Māori.