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In the mid-18th century full-colour nishiki-e prints became common, printed using a large number of woodblocks, one for each colour. [ 2 ] Kitagawa Utamaro ( c. 1753 –1806) began designing prints in the 1770s; made his name in the 1790s with his bijin ōkubi-e ("large-headed pictures of beautiful women") portraits, focusing on the head and ...
Kitagawa Utamaro (c. 1753 –1806) made his name in the 1790s with his bijin ōkubi-e ("large-headed pictures of beautiful women") portraits, focusing on the head and upper torso. [4] He experimented with line, colour, and printing techniques to bring out subtle differences in the features, expressions, and backdrops of subjects from a wide ...
A woman holds up a transparent comb, most likely of glass. Her lower face can easily been seen through it. [6] It was published in ōban size (about 39 by 26 centimetres, 15 in × 10 in) c. 1795–96 by Ōmiya Gonkurō . [6] Utamaro made a hand-fan painting similar to this print c. 1802–03 called Giyaman Oshima (ぎやまんおしま). The ...
Gallery of Beauties The Nymphenburg Palace seen from its park. The Gallery of Beauties (German: Schönheitengalerie) is a collection of 38 portraits of the most beautiful women from the nobility and bourgeoisie of Munich, Germany, gathered by Ludwig I of Bavaria in the south pavilion of his Nymphenburg Palace. [1]
The series depicts six well-known beauties associated with the Yoshiwara pleasure districts—courtesans, geisha, and the like. [8] A rebus appears in the corner of each print bearing the title Kōmei Bijin Rokkasen (高名美人六家撰, "Renowned Beauties from the Six Best Houses") [6] and a hanji-e [a] picture-puzzle. [9]
Fujin Sōgaku Jittai (婦人相学十躰, "Ten physiognomies of women") and Fujo Ninsō Juppin (婦女人相十品, "Ten classes of women's physiognomy") are the titles of what may have been two series of ukiyo-e prints designed by the Japanese artist Utamaro and published c. 1792–93. Only five prints from one series and four from the other ...
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