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The popularity and worldwide scope of rock music resulted in a powerful impact on society in the 20th century, particularly among the baby boomer generation. Rock and roll influenced daily life, fashion, social attitudes, and language in a way few other social developments have equated to. As the original generation of rock and roll fans ...
Music journalist Mark Kemp credits the Beatles with leading pop music's expansion into styles such as world music, psychedelia, avant-pop and electronica, and attracting a bohemian audience that had previously focused on jazz and folk. [516] According to Luhrssen and Larson, the Beatles affected every genre of rock music except jazz rock. [517]
The Rolling Stone Encyclopedia of Rock & Roll describes Presley as "an American music giant of the 20th century who single-handedly changed the course of music and culture in the mid-1950s". [1] His recordings, dance moves, attitude, and clothing came to be seen as embodiments of rock and roll.
The evil bastards who program supermarket background music. That easy-listening, soft rock crap you hear while shopping and makes you grateful for the cloying store messages about the sale price ...
Sociomusicology (from Latin: socius, "companion"; from Old French musique; and the suffix -ology, "the study of", from Old Greek λόγος, lógos : "discourse"), also called music sociology or the sociology of music, refers to both an academic subfield of sociology that is concerned with music (often in combination with other arts), as well as a subfield of musicology that focuses on social ...
Music is used in the production of other media, such as in soundtracks to films, TV shows, operas, and video games. Listening to music is a common means of entertainment. The culture surrounding music extends into areas of academic study, journalism, philosophy, psychology, and therapy.
Ethnomusicology (from Greek ἔθνος ethnos ‘nation’ and μουσική mousike ‘music’) is the multidisciplinary study of music in its cultural context, investigating social, cognitive, biological, comparative, and other dimensions involved other than sound.
Ben Beaumont-Thomas, music editor for The Guardian, said Jackson "ushered in a global culture" and that his impact extended into "areas previously untouched by Western pop culture". [187] At the 1989 Soul Train Music Awards , actress Elizabeth Taylor dubbed Jackson the "King of Pop, Rock & Soul", a moniker that was widely accepted as accurate.