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The alternative Super series, denoted SnR, nR Plus or nR+, has an aspect ratio of 3∶2 (or as close as possible) and thus provides a better fit for standard 135 film (35 mm) at sizes of 8 inches or above. 5R is twice the size of a 2R print, 6R twice the size of a 4R print and S8R twice the size of 6R. 4D/6D is a newer size for most consumer ...
The three-by-five 三五判 (3×5 or 3/5), where the final size at 32K is slightly less than 3 by 5 sun, often given as 84 × 148 mm which would be c. 2.8 × 4.9 sun. The 4/6 standard has given rise to newer metric book-size standards, including:
The most common large format is 4×5 inches (10.2x12.7 cm), which was the size used by cameras like the Graflex Speed Graphic and Crown Graphic, among others. Less common formats include quarter-plate (3.25x4.25 inches (8.3x10.8 cm)), 5×7 inches (12.7x17.8 cm), and 8×10 inches (20×25 cm); the size of many old 1920s Kodak cameras (various versions of Kodak 1, 2, and 3 and Master View cameras ...
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A good example of this a 4×6 print (6 inch wide by 4 inch tall landscape) perfectly matches the 3:2 aspect ratio of a DSLR/35 mm, since 6/2=3 and 4/2=2. For analog projection of photographic slides, projector and screen use a 1:1 aspect ratio, supporting horizontal and vertical orientation equally well.
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