Search results
Results from the WOW.Com Content Network
Hierarchical proportion is a technique used in art, mostly in sculpture and painting, in which the artist uses unnatural proportion or scale to depict the relative importance of the figures in the artwork. For example, in Egyptian times, people of higher status would sometimes be drawn or sculpted larger than those of lower status.
In 1961, Danish Egyptologist Erik Iverson described a canon of proportions in classical Egyptian painting. [2] This work was based on still-detectable grid lines on tomb paintings: he determined that the grid was 18 cells high, with the base-line at the soles of the feet and the top of the grid aligned with hair line, [3] and the navel at the eleventh line. [4]
In her 1970 book Meaning and Expression: Toward a Sociology of Art, Hanna Deinhard gives one approach: "The point of departure of the sociology of art is the question: How is it possible that works of art, which always originate as products of human activity within a particular time and society and for a particular time, society, or function -- even though they are not necessarily produced as ...
Below the bovine heads is what appears to be a procession. Narmer is significantly larger than anyone else on that register, an artistic convention known variously as hierarchical proportion, hierarchic scale [24] or hierarchy of scale. As on the recto, his disproportionate size reinforces the ideas of conquest and political power as a god-like ...
Sociology of literature, film, and art is a subset of the sociology of culture. This field studies the social production of artistic objects and its social implications. A notable example is Pierre Bourdieu's Les Règles de L'Art: Genèse et Structure du Champ Littéraire (1992). [ 129 ]
10 October 1974 – Official proclamation of the Sociological Art Collective with Manifesto #1 published in newspaper Le Monde.; December 1974 - “Art against Ideology” exhibition organized by Bernard Teyssedre with the Sociological Art Collective at Galerie Rencontres, Paris, with works from Jean-François Bory, Collectif d’Art Sociologique, Groupe de Rosario, Guerilla Art Action Group ...
In sociology, for example, proponents of action theory have suggested that social stratification is commonly found in developed societies, wherein a dominance hierarchy may be necessary in order to maintain social order and provide a stable social structure.
Explicitly contrasted against a social cohesion based definition for social groups is the social identity perspective, which draws on insights made in social identity theory. [9] Here, rather than defining a social group based on expressions of cohesive social relationships between individuals, the social identity model assumes that ...