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In music, a drone is a harmonic or monophonic effect or accompaniment where a note or chord is continuously sounded throughout most or all of a piece. A drone may also be any part of a musical instrument used to produce this effect; an archaic term for this is burden (bourdon or burdon) [1] [2] such as a "drone [pipe] of a bagpipe", [3] [4] the pedal point in an organ, or the lowest course of ...
Drone music, [2] [3] drone-based music, [4] or simply drone, is a minimalist [5] genre of music that emphasizes the use of sustained sounds, [6] notes, or tone clusters called drones. It is typically characterized by lengthy compositions featuring relatively slight harmonic variations.
The sitar (English: / ˈ s ɪ t ɑːr / or / s ɪ ˈ t ɑːr /; IAST: sitāra) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in the 18th century, and arrived at its present form in 19th-century India.
The strings are generally tuned 5-8-8-1. One of the three strings tuned to the tonic is thus an octave below the others, adding greater resonance and depth to the ambient drone. Through continuous, rhythmic plucking of its strings, the tanpura creates a constant harmonic bourdon or drone effect. Uniquely, the tanpura is not played in specific ...
Therefore, the sitar is an accompaniment, consequently affecting the droning sound evident in past takes. [43] Looking back on the recording sessions in the 1990s, Harrison explained his inclusion of the sitar to be "quite spontaneous from what I remember", adding, "We miked it up and put it on and it just seemed to hit the spot". [44]
Ravi Shankar, a master of the instrument, was the first to make inroads into Western culture with the sitar.. While the sitar had earlier been used in jazz and Indian film music, it was from the 1960s onwards that various pop artists in the Western world began to experiment with incorporating the sitar, a classical Indian stringed instrument, within their compositions.
Harrison’s continued interest in Indian classical music led to the droning guitar tones and shifting meters on “Love You To” and even Lennon’s LSD-inspired “She Said She Said ...
The piece was inspired by drone music, with a text from La Monte Young in the liner notes. [2] The composition is a lengthy drone in the key of A. It was recorded in the foyer of a cinema as an audience waited for a screening of the film Wings of Desire; crowd noise and public-address announcements are audible.