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Bourges: Founded 1392 by Duke Jean de Berry decorated with sculptures and stained glass by André Beauneveu. Now destroyed. Riom: Founded 1382 by Jean de Berry; Saint-Germer-de-Fly Abbey: A very similar structure, also called the Sainte-Chapelle, was erected twelve years after the Paris chapel as an addition to the abbey church.
The exterior plan is very simple; the bays are separated by strong buttresses, crowned by spires, and each bay is fill with stained glass up to the beginning of the roof, where it is topped by a gable, or pointed arch. The chapel originally had a flèche from the roof at the 4th traverse, similar to that of the Paris chapel. It was destroyed in ...
The royal chapel built by Louis IX to contain his collection of Passion relics, including Christ's Crown of Thorns – one of the most important relics in medieval Christendom. It is noted especially for its towering walls of stained glass. [1] Saint-Eustache: 1 Rue de Jour (1st arrondissement of Paris) Flamboyant Gothic Parish church (1532–1640)
Sainte-Anne de la Butte-aux-Cailles is a Roman Catholic church located in the [Butte aux Cailles quarter of the 13th arrondissement of Paris, at 188 Rue Tolbiac. It was built between 1894 and 1912. It is noted for its Art Deco stained glass windows, added in 1938.
The Old Church is located on Place Victor Hugo at the intersection of Avenue Victor Hugo and rue Mesnil in the 16th arrondissement of Paris. It was originally built in 1852 as a parish church. Since 1974. it is the chapel of a monastic order, the Monastic Family of Bethlehem, of the Assumption of the Virgin and of Saint Bruno. [4]
The chapel has some of the oldest stained glass windows in the flamboyant gothic style, made by Jean Chastellain in 1517, illustrating the life of the Virgin Mary. [4] Another remarkable window by Chastellain, "The Judgement of Solomon", made in 1533 in the colorful Renaissance style, is found in a side chapel. [citation needed]
In addition, most of the stained glass in the upper widows was removed and replaced with white glass, to bring more light into the interior, and to make it easier to read texts. [10] The oldest part of the interior, from the fifteenth century, contains the seven first traverses of the nave, and the first collateral aisle on the south side.
At Sacré-Cœur, the crypt has stained glass windows, thanks to a "saut-de-loup", a trench about four meters wide around it, which allows light to enter through windows and oculi of the crypt wall. In the centre of the crypt is the chapel of the Pieta , whose central element is a monument statue of the Virgin Mary at the foot of the cross, at ...
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