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Pair of vases, 1772–1774, Derby Porcelain Factory (V&A Museum no. 485–1875)The Royal Crown Derby Porcelain Company is the oldest or second oldest remaining English porcelain manufacturer, based in Derby, England (disputed by Royal Worcester, who claim 1751 as their year of establishment).
A Mason's ironstone plate, 1840 - 1860 Maker's mark from the base of a 1920s Mason's 'Watteau' ironstone bowl (full piece pictured below). Note the "orange peel" texture, a defect, in the surface. Ironstone china, ironstone ware or most commonly just ironstone, is a type of vitreous pottery first made in the United Kingdom in
The production of Derby porcelain dates from the second half of the 18th century, although the authorship and the exact start of the production remains today as a matter of conjecture. The oldest remaining pieces in the late 19th century bore only the words "Darby" and "Darbishire" and the years 1751-2-3 as proof of place and year of manufacture.
William Duesbury (1725–1786) was an English enameller, in the sense of a painter of porcelain, who became an important porcelain entrepreneur, founder of the Royal Crown Derby and owner of porcelain factories at Bow, Chelsea, Derby and Longton Hall. [2]
Bow porcelain factory, (1747–1776) Caughley porcelain; Chelsea porcelain factory, (c. 1745, merged with Derby in 1770) Churchill China; Coalport porcelain; Davenport; Denby Pottery Company; Goss crested china; Liverpool porcelain; Longton Hall porcelain; Lowestoft Porcelain Factory; Mintons Ltd, (1793–1968, merged with Royal Doulton ...
From its initial development and up to the latter part of the 20th century, bone china was almost exclusively an English product, with production being very largely localised in Stoke-on-Trent. [7] Most major English firms made or still make it, including Spode, and Royal Worcester, Royal Crown Derby, Royal Doulton, Wedgwood, and Mintons.
Billingsley was born in Derby in 1758. He was apprenticed at William Duesbury's Royal Crown Derby porcelain works for five years on 26 September 1774. He finally left them in 1796, by which time he was their outstanding painter of flowers, the mainstay of decoration. [2]
This allowed him to incorporate the Royal Arms into his marks. [9] William concentrated rather more on a middle market, and produced large amounts for the American market. Indeed, by the 1840s William was planning to open a pottery in Kentucky with his New York agent, Charles Cartlidge, though in the end Cartlidge set up with American partners ...
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