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Graham Leslie Coxon (born 12 March 1969) is an English guitarist, singer and songwriter who came to prominence as a founding member of the rock band Blur.As the group's lead guitarist and secondary vocalist, Coxon is featured on all of Blur's studio discography (although 2003's Think Tank only features his playing on one album track, plus two B-side tracks, due to his temporary departure from ...
Blur are an English rock band formed in London in 1988. The band consists of singer Damon Albarn, guitarist Graham Coxon, bassist Alex James and drummer Dave Rowntree.Their debut album, Leisure (1991), incorporated the sounds of Madchester and shoegaze.
The song, cowritten by the duo and produced by James Ford, includes vocals from both members as well as keyboards, guitar, bass guitar, drums, and Graham Coxon on saxophone. [ 2 ] [ 3 ] With the single, the duo released a statement saying "The city lights bestow a unique magic on everyone – the beautiful and the grotesque, the angels and the ...
Graham Coxon’s new entry in the genre, ... Playing guitar “blasted a hole” through his ever-present anxiety. “I was cocooned in a zone of pure sound where nothing else existed,” he ...
Ed Harcourt - The Beautiful Lie (2006) (guitar on "Visit from the Dead Dog") Crisis featuring Beth Ditto , Paul Weller , The Enemy , Supergrass - "Consequences" (2008) John McCusker - Under One Sky (2008) (vocals on "All Has Gone")
Since Blur's reunion with Coxon in 2009, the album has largely been absent from Blur's setlists, with the exception of "Out of Time" (in a new arrangement with additional guitar parts by Coxon) and occasional performances of "Battery in Your Leg" in 2009 and "Caravan" in 2015.
Graham Coxon and Rose Elinor Dougall first met in 2004 during a gig at Islington's the Buffalo Bar, in which Coxon was an attendee and Dougall was performing with the Pipettes. However, a brief chat and Dougall convincing Coxon to buy her a quadruple brandy and coke was the extent of that encounter. [2]
While Dougall said "it just wouldn't be right" if the album didn't contain Coxon's guitar playing, it was his work on the saxophone, an instrument he is classically trained in, which "really helped to shape the multi-angled outline" of the album. Coxon engineered most of the album before the duo brought on James Ford to finish the record. Ford ...