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The writings of Syrian poet and writer Francis Marrash (1836–73) featured the first examples of prose poetry in modern Arabic literature. [11] From the mid-20th century, the great Arab exponent of prose poetry was the Syrian poet, Adunis (Ali Ahmad Said Esber, born 1930), a perennial contender for the Nobel Prize in Literature. [12]
Aristotle's proscriptive analysis of tragedy, for example, as expressed in his Rhetoric and Poetics, saw it as having 6 parts (music, diction, plot, character, thought, and spectacle) working together in particular ways. Thus, Aristotle established one of the earliest delineations of the elements that define genre.
In writing, prose is visually formatted differently than poetry. Poetry is traditionally written in verse : a series of lines on a page, parallel to the way that a person would highlight the structure orally if saying the poem aloud; for example, poetry may end with a rhyme at the end of each line, making the entire work more melodious or ...
For Aristotle, poetry (odes, epics, etc.), prose, and performance each had specific features that supported appropriate content of each genre. Speech patterns for comedy would not be appropriate for tragedy, for example, and even actors were restricted to their genre under the assumption that a type of person could tell one type of story best.
Some of his stories, such as "The Mirrors of Tuzun Thune", have been described as prose poems in their vigorous and rhythmic writing. [3] Howard's tall tale background is the source of the rhythm, drive and authenticity of his work. [4] Howard's writing frequently uses hypermodification, where most nouns and most verbs are modified. [5]
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The rhythm of the English language has four different elements: stress, time, pause, and pitch. Furthermore, "When stress is the basis of the metric pattern, we have poetry; when pitch is the pattern basis, we have rhythmic prose" (Weeks 11). Stress retraction is a popular example of phrasal prosody in everyday life. For example:
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