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A form is an artist's way of using elements of art, principles of design, and media. Form, as an element of art, is three-dimensional and encloses space. Like a shape, a form has length and width, but it also has depth. Forms are either geometric or free-form, and can be symmetrical or asymmetrical.
Pakistani art (Urdu: پاکستانی فن) has a long tradition and history. It consists of a variety of art forms, including painting , sculpture , calligraphy , pottery , and textile arts such as woven silk.
Content, on the other hand, refers to a work's subject matter, i.e., its meaning. [2] [3] But the terms form and content can be applied not only to art: every meaningful text has its inherent form, hence form and content appear in very diverse applications of human thought: from fine arts to even mathematics and natural sciences. Even more, the ...
The Urdu Dictionary Board (Urdu: اردو لغت بورڈ, romanized: Urdu Lughat Board) is an academic and literary institution of Pakistan, administered by National History and Literary Heritage Division of the Ministry of Information & Broadcasting. Its objective is to edit and publish a comprehensive dictionary of the Urdu language.
A preface (/ ˈ p r ɛ f ə s /) or proem (/ ˈ p r oʊ ɛ m /) is an introduction to a book or other literary work written by the work's author. An introductory essay written by a different person is a foreword [contradictory] and precedes an author's preface. The preface often closes with acknowledgments of those who assisted in the literary ...
Dastangoi (Urdu: داستان گوئی) is a 13th century Urdu oral storytelling art form. [1] [2] [3] The Persian style of dastan evolved in 16th century. [4] One of the earliest references in print to dastangoi is a 19th-century text containing 46 volumes of the adventures of Amir Hamza titled Dastan e Amir Hamza. [5]
The Lantingji Xu (traditional Chinese: 蘭亭集序; simplified Chinese: 兰亭集序; pinyin: Lántíngjí Xù; lit. 'Preface to the Poems Collected from the Orchid Pavilion'), or Lanting Xu ("Orchid Pavilion Preface"), is a piece of Chinese calligraphy work generally considered to be written by the well-known calligrapher Wang Xizhi (303–361) from the Eastern Jin dynasty (317–420).
In graphic design, page layout is the arrangement of visual elements on a page. It generally involves organizational principles of composition to achieve specific communication objectives. [1] The high-level page layout involves deciding on the overall arrangement of text and images, and possibly on the size or shape of the medium.