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Worn with the sweater was a very modest ankle-length wool skirt, often a darker color than the sweater. Some early cheerleading squads chose plaid fabrics for skirts, often these squads were from religious schools and universities, as plaid was the main fabric of their classroom uniforms.
Women also had riding habits which consisted of the petticoat, jacket and a waistcoat. [38] French fashion regarding dresses became very fast-changing during the later part of the 18th century. [39] Throughout this period, the length of fashionable dresses varied only slightly, between ankle-length and floor-sweeping. [3]
Bottom attire for women during this time included bell-bottoms, gauchos, [15] [17] frayed jeans, midi skirts, and ankle-length maxi dresses. Hippie clothing during this time was made in extremely bright colors, [ 18 ] as well as Indian patterns, Native American patterns, [ 19 ] and floral patterns.
Casaquin—Popularly known from the 1740s onwards as a pet-en-l'air, this was a short version of the sack-back gown (also known as the robe à la française) which appeared in the 1780s. [1] Greatcoat dress—Despite the name, this garment mimicked the men's greatcoat. It was essentially an ankle-length robe worn over a skirt. The robe could be ...
Prom dresses, with hemlines varying from above-the-ankle (tea length) to floor length. The hemline is the line formed by the lower edge of a garment, such as a skirt, dress or coat, measured from the floor. [1] The hemline is perhaps the most variable style line in fashion, changing shape and ranging in height from hip-high to floor-length ...
Wealthier women would use fabrics and materials such as silk and fine linen; the lower classes would use wool and coarser linen. [13] The skirt was developed during this period, and quickly eclipsed the petticoat in both popularity and use; [13] [14] use of a headdress, in various forms, (culminating in the hennin) was now an important element too.
A skirt dance is a form of dance popular in Europe and the United States, particularly in burlesque and vaudeville theater of the 1890s, in which women dancers would manipulate long, layered skirts with their arms to create a motion of flowing fabric, [1] often in a darkened theater with colored light projectors highlighting the patterns of their skirts.
The jukaniyya was a sleeved women's garment made of linen, brocade, or silk. It may have been named after the Persian town of Juwakan, or it may have been named after a game of polo, indicating the garment resembled a polo jacket, a short coat with narrow sleeves. [13] The makhtuna was a women's garment that may have occasionally been worn by men.
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