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"I Got It Bad" is two minutes and 52 seconds long. The song was co-written by Rae with Madison Love and Leland, and producers Oscar Görres and Rami Yacoub, showcasing an upbeat, bass-heavy arrangement alongside Rae's vocal delivery of playful lyricism centered on themes of attraction and risky love about a naive girl smitten with a rebellious love interest, willing to "submit to the extremes ...
"I Got It Bad (and That Ain't Good)" is a pop and jazz standard with music by Duke Ellington and lyrics by Paul Francis Webster published in 1941. It was introduced in the musical revue Jump for Joy by Ivie Anderson, [1] who also provided the vocals for Duke Ellington and His Orchestra on the single Victor 27531. [2]
This first compact disc since his stirring debut about three years ago is bound to again put him in contention with some of the big boys of popular music. He has the ability to enclose lyrics in a suspended tonal reality that has clarity as its major feature. The result is romantic music that can be understood immediately.
I Got It Bad may refer to: " I Got It Bad (and That Ain't Good) ", a 1941 pop and jazz standard by Duke Ellington and Paul Francis Webster "I Got It Bad", a track from Tevin Campbell's 1996 album Back to the World
[6] Usher explained that the album's lyrics also reflect on what has been going on with his relationship; [7] 8701 is predominantly an R&B album. [8] "Can U Help Me", is about a deep relationship to which Usher experienced. [7] "U Don't Have to Call" is a hip hop song inspired by Jackson, while "U Got It Bad" is an R&B slow-jam.
‘Cause baby, now we got bad blood (hey!) Now we got problems. And I don’t think we can solve ‘em (think we can solve ‘em) You made a really deep cut. And baby, now we got bad blood (hey ...
Intro Hey Verse 1 Haven't heard from you in a couple of months But I'm out right now and I'm all fucked up And you're callin' my phone and you're all alone
In 1935, Twentieth Century Fox signed him to a contract to write lyrics for Shirley Temple's films, but shortly afterward he went back to freelance writing. His first hit was a collaboration in 1941 with Duke Ellington on the song "I Got It Bad (And That Ain't Good)". [1] After 1950, Webster worked mostly for Metro-Goldwyn-Mayer.