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Arts criticism is the process of describing, analyzing, interpreting, and judging works of art. [1] The disciplines of arts criticism can be defined by the object being considered rather than the methodology (through analysis of its philosophy): buildings (architecture criticism), paintings (visual art criticism), performances (dance criticism, theatre criticism), music (music journalism ...
Art criticism includes a descriptive aspect, [3] where the work of art is sufficiently translated into words so as to allow a case to be made. [2] [3] [7] [11] The evaluation of a work of art that follows the description (or is interspersed with it) depends as much on the artist's output as on the experience of the critic.
Lookism has received less cultural attention than other forms of discrimination (such as racism and sexism) and typically does not have the legal protections that other forms often have, but it is still widespread and significantly affects people's opportunities in terms of romantic relationships, job opportunities, and other realms of life. [2]
Matchmaking is an art based entirely on hunches, since it is impossible to predict with certainty whether two people will like each other or not. "All you should ever try and do is make two people be in the same room at the same time", advised matchmaker Sarah Beeny in 2009, and the only rule is to make sure the people involved want to be set ...
Nonutilitarian pleasure. People enjoy art for art's sake, and do not demand that it keep them warm or put food on the table. Style. Artistic objects and performances satisfy rules of composition that place them in a recognizable style. Criticism. People make a point of judging, appreciating, and interpreting works of art. Imitation.
Physiognomy (from Greek φύσις (physis) 'nature' and γνώμων (gnomon) 'judge, interpreter') or face reading is the practice of assessing a person's character or personality from their outer appearance—especially the face.
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According to James Elkins [4] there is a distinction between art criticism and art history based on institutional, contextual, and commercial criteria; the history of art criticism is taught in universities, but the practice of art criticism is excluded institutionally from academia.