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  2. Reciting tone - Wikipedia

    en.wikipedia.org/wiki/Reciting_tone

    Reciting tones occur in several parts of the Roman Rite. [citation needed] These include the accentus prayers and lessons chanted by the deacons or priests such as the Collect, Epistle, Gospel, Secret, Preface, Canon, and Postcommunion, as well as such regular texts as the Pater noster, Te Deum, and the Gloria in excelsis Deo.

  3. List of Magnificat composers - Wikipedia

    en.wikipedia.org/wiki/List_of_Magnificat_composers

    Composers, or collections of compositions, referring to or using all eight of the traditional Gregorian psalm tone settings of the Magnificat include the Choirbook, D-Ju MS 20 (various composers), the sixteen Magnificats by Palestrina, the Enchiridion utriusque musicae practicae by Georg Rhau, and Johann Pachelbel's Magnificat fugues.

  4. Gregorian mode - Wikipedia

    en.wikipedia.org/wiki/Gregorian_mode

    A plagal mode (from Greek πλάγιος 'oblique, sideways, athwart') [7] [8] has a range that includes the octave from the fourth below the final to the fifth above. The plagal modes are the even-numbered modes 2, 4, 6 and 8, and each takes its name from the corresponding odd-numbered authentic mode with the addition of the prefix "hypo-": Hypodorian, Hypophrygian, Hypolydian, and ...

  5. Vespro della Beata Vergine - Wikipedia

    en.wikipedia.org/wiki/Vespro_della_Beata_Vergine

    All liturgical texts are set using their psalm tones in Gregorian chant, often as a cantus firmus. [ 19 ] Graham Dixon suggests the setting is more suited for the feast of Saint Barbara , claiming, for example, that the texts from the Song of Songs are applicable to any female saint but that a dedication to fit a Marian feast made the work more ...

  6. Tonary - Wikipedia

    en.wikipedia.org/wiki/Tonary

    Tonaries often include Office antiphons, the mode of which determines the recitation formula for the accompanying text (the psalm tone if the antiphon is sung with a psalm, or canticle tone if the antiphon is sung with a canticle), but a tonary may also or instead list responsories or Mass chants not associated with formulaic recitation.

  7. Modus (medieval music) - Wikipedia

    en.wikipedia.org/wiki/Modus_(medieval_music)

    In describing the tonality of early music, the term "mode" (or "tone") refers to any of eight sets of pitch intervals that may form a musical scale, representing the tonality of a piece and associated with characteristic melodic shapes (psalm tones) in Gregorian chant.

  8. Euouae - Wikipedia

    en.wikipedia.org/wiki/Euouae

    A psalm-tone setting of the Gloria Patri in neumes, with two alternative melodies for the words saeculorum Amen indicated with the abbreviation Euouae.. Euouae (/ j uː. ˈ uː. iː / yew-OO-ee; sometimes spelled Evovae) [1] is an abbreviation used as a musical mnemonic in Latin psalters and other liturgical books of the Roman Rite.

  9. Liber Usualis - Wikipedia

    en.wikipedia.org/wiki/Liber_Usualis

    A copy of the Liber Usualis. The Liber Usualis (Liber Usualis missæ et officii pro Dominicis et festis cum cantu Gregoriano or "Book for Use at Masses and Offices of Sundays and Feasts with their Gregorian Chants") is a liturgical book of commonly used Gregorian chants in the Catholic tradition, compiled by the monks of the Abbey of Solesmes in France and first published in 1898.