Search results
Results from the WOW.Com Content Network
This sound recording is not protected because it was published in the European Union more than 50 (Directive 2006/116/EC) or 70 years ago (Directive 2011/77/EU) and the rights of its performers and producers have expired
Handel,_Messiah,_Hallelujah_Chorus_closing_bars_01.wav (WAV audio file, length 16 s, 1.41 Mbps overall, file size: 2.75 MB) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
At the time of its release, music critics commented on the choir's "great romantic choral tone, deep with feeling that is able to communicate the inner meaning of the world's great choral music." Paul Hume, music critic for the Washington Post, wrote that "this sound of the Mormon Tabernacle Choir has been a special beacon for those who love ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
Handel's Messiah: A Soulful Celebration is a gospel album by various artists, released in 1992 on Warner Alliance.Executive produced by Norman Miller, Gail Hamilton and Mervyn Warren, it is a reinterpretation of the 1741 oratorio Messiah by George Frideric Handel, and has been widely praised for its use of multiple genres of African-American music, including spirituals, blues, ragtime, big ...
After Handel's death, performances were given in Florence (1768), New York (excerpts, 1770), Hamburg (1772), and Mannheim (1777), where Mozart first heard it. [67] For the performances in Handel's lifetime and in the decades following his death, the musical forces used in the Foundling Hospital performance of 1754 are thought by Burrows to be ...
Messiah is not a typical Handel oratorio; there are no named characters, as are usually found in Handel’s setting of the Old Testament stories, possibly to avoid charges of blasphemy. It is a meditation rather than a drama of personalities, lyrical in method; the narration of the story is carried on by implication, and there is no dialogue.
Pasticcio, composed in 1738. Music entirely by Handel. Overture published in HG volume 48 (p. 104). 40 Serse (Xerxes) 15 April 1738 King’s Theatre, London After Stampiglia A 14: Giove in Argo: 1 May 1739 King’s Theatre, London Adapted from A.M. Lucchini Pasticcio, composed in April 1739. Music entirely by Handel. Semi-staged. 41 Imeneo: 22 ...